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Showing posts with label Marcus Borg. Show all posts
Showing posts with label Marcus Borg. Show all posts

Monday, June 7, 2021

Sermon: B Palm Sunday, March 28, 2021, "Which procession are we in?"

 B Palm Sunday SJUCC 2021
Mark 11:1-11
March 28, 2021

         Crowds of people descend on Jerusalem.  It is the holy time of Passover, and Jews from all over the known world, are making pilgrimage to the city.  Passover is the Jewish celebration of that archetypal story we talked about way back in the fall when I began my ministry in Jackson.  It was this crazy story which told people long held in slavery and bondage, oppression and domination, that God heard their cries, saw their suffering, and had come to deliver them.  They were not Pharaoh’s subjects.  Rather, they were the Children of Israel, God’s beloved.  This is the story the Jewish people are celebrating as they make their way to Jerusalem. 

Some, come to see the pomp and circumstance associated with the celebration.  Others, come to the city as curious onlookers.  Still others, come as a form of devotion to their God with a recognition that Jerusalem, the “City of Peace,” had a long history within Jewish faith and life. 

           Picture, from the west of Jerusalem, comes the annual imperial procession, like one that had come from the imperial rulers of Judea and Samaria before and after Rome and Rome’s Pontius Pilate.  These processions took place during the major festivals of the Jewish people, as a way of enforcing the identity of the Jewish people as Rome saw them--as conquered and occupied people.  Such imperial displays would have been incredibly important during the festival days of the Jewish Passover, a celebration remembering the Jewish liberation and deliverance from imperial power.  Passover remembers the Jewish people as liberated and delivered by God.  The imperial procession reminded the Jewish they were enslaved and occupied by Rome and its Caesar, the current boot on their neck. 

The Jewish pilgrims flocking into Jerusalem would have known this imperial procession well.  Rome wanted to make sure the Jewish people knew this procession well, that they should expect these processions every Passover. 

 

Imagine the imperial processions arrival in the city—a visual panoply of imperial power:  calvary on horses, foot soldiers, leather armor, helmets, weapons, banners, golden eagles mounted on poles, sun glinting on metal and gold.  Sounds:  the marching of feet, the creaking of leather, the clinking of bridles, the beating of drums, the swirling of dust.  The eyes of the silent onlookers:  some curious, some awed, some resentful.  Pilate’s procession displayed not only imperial power but also Roman imperial theology.  According to this theology, the Emperor was not only the ruler of Rome but the Son of God.[1]

 

If you can hold both the throng of Jews in Jerusalem in your imagination and the imperial procession entering in from the west of Jerusalem, the stage is now set for carefully choreographed, religio-political street theater about to take place on the other side of Jerusalem intended to critique not only  Roman State power but also Messianic triumphalism, rooted in violence, found in a strand of Judaism, within Jesus’s own people.[2]

           Another planned political procession arrives from the east.  We know it is planned because, in the gospel of Mark, Jesus tells the disciples that there is a colt in the town ahead of them, and that they are to go and retrieve that donkey and colt.  Whatever your view of prophecy in Scripture, whether Jesus is fulfilling prophecy or a gospel writer is characterizing Jesus’ actions as the fulfillment of Scripture, this processional invokes a Scripture from Hebrew Scripture or the Old Testament.  Either Jesus is attempting to invoke a Scripture known to the Jewish people or the gospel writer is using the passage to define the content of Jesus’s mission and ministry.  For according to the prophet Zechariah, in Hebrew Scripture or the Old Testament, a king would be coming to Jerusalem humble and riding on a colt and the foal of a donkey.[3]

            That Scripture reads as follows:

 

Rejoice, greatly, O daughter, Zion!  Shout aloud, O daughter, Jerusalem!  Lo, your king comes to you; triumphant and victorious is he, humble and riding on a donkey, a colt, the foal of a donkey.  That king will cut off the chariot from Ephraim and the war horse from Jerusalem; and the battle bow shall be cut off, and the king shall command peace to the nations.[4]

 

Notice, first of all, that the title is a political one—king, one who is at the same level as a Roman Caesar.   And this king shall banish war from the earth.  Chariots and war horses shall be no more.  Bows shall be broken.  Peace shall be commanded to all the nations.  This king shall be a king of peace.

           This procession occurring on the east side of Jerusalem is to directly counter what is known to be going on to the west of Jerusalem.  Pilate’s procession incarnated the power, glory, and violence of Empire.  Jesus’s procession incarnated the Empire of a nonviolent God.  This counter, this conflict and clash between two Empires, sets the stage for all of the rest of Holy Week.  Peace by one Empire was achieved through military might, retaliatory, escalating violence, and economic domination.  All the trappings were present in this procession to remind the Jewish people how peace would be kept and pursued—armor, helmets, weapons, war horses.  Peace by the other Empire removed the remnants, the uniforms, the tools, and the mechanisms of war—chariots and war horses removed, battle bows are banished.

           Down through the centuries, that clash of Empires has offered faithful Christians those same distinct choices—two arrivals, two entrances into Jerusalem, two processions.  Biblical scholars Marcus Borg and John Dominic Crossan ask the questions: “Which procession are we in?  Which procession do we want to be in?  This is the question of Palm Sunday, and of the week that is about to unfold.”[5]  Are we still sure we want to walk that hard road Jesus is walking?  Are we still sure we went to be about that kind of faithfulness to the Christian journey—faithfulness to a king who leads with non-violent confrontation?

           Borg and Crossan go on to write, “[O]ur Christian Lent is about repentance for being in the wrong [procession] and preparation to abandon it for its alternative.”[6]  Lent is about repentance, turning and returning to a faithful path.  Lent is about preparing to abandon Pilate’s procession for the processional of a Mediterranean Jewish peasant from a small, backwater town just outside of Sepphoris.  Jesus made space for his ministry and message through creative, confrontational non-violence.  In that way of living—the mutual healing, the sharing of food, in the ne’er-do-wells and beaten down gathered around those tables, Jesus helped his followers imagine a God who was not only engaged but courageous and non-violent. 

Jesus had a ministry and message that was about sharing food and freedom, healing and hospitality—a belief that God did not look upon people and see them as Roman subjects but as Children of God.  That is how God always sees us.  No matter how we may see ourselves, God looks and sees us as dear, beloved, and a precious creation.  That title, “Child of God” is not meant to indicate that we remain children.  “Child of God” is a mythological title meaning we are birthed and re-birthed, that we turn and return time and time again to a path.   That blessed path forever communicates God’s deep and passionate love for the world.  That is God’s hope for us, that we live out that mythological title regardless of what the consequences for doing so, no matter what the Empire would do to us.

           Two processions are about to take place in Jerusalem, from opposite sides of the city.  Which one are we in?  Which one do we want to be in?  Repent.  Repent.  Amen.



[1] John Dominic Crossan and Marcus J. Borg, The Last Week:  A Day-by-Day Account of Jesus’s Final Week in Jerusalem (San Francisco:  HarperSanFrancisco, 2006), audiobook.  This book is the basis for today’s sermon.

[2] Ched Myers, “Palm Sunday as Subversive Street Theater:  Sixth Sunday in Lent (Mk. 11:1-11),” Radical Discipleship, March 26, 2015.  https://radicaldiscipleship.net/2015/03/26/palm-sunday-as-subversive-street-theatre-sixth-sunday-in-lent-mk-111-11/. Myers goes on to say that this action by Jesus even repudiates the Messianic triumphalism found within Judaism.  Images from the parade called to mind several biblical precedents: the colt signifying triumphant Judah (Gen 49:11); the return of the Ark to Israel (I Sam 6:7ff); the declaration of Jehu as upstart king (2 Kg 9:13); a royal processional hymn (Ps 118:25f). And the fact that the parade began “near the Mount of Olives” (11:1) would have brought to mind the final apocalyptic battle between Israel and her enemies spoken of by Zechariah (see Zech 14:1-5).  This theater also alludes to more recent events. It recalls the victorious military procession of Simon Maccabaeus, the great guerilla general who liberated Palestine from Hellenistic rule some two centuries before. According to I Maccabbees 13:51 Simon entered Jerusalem “with praise and palm branches…and with hymns and songs.” And there was an incident of Messianic posturing contemporary to Mark as well. Mid-way through the Judean revolt against Rome (66- 70 C.E.), according to the Jewish historian Josephus, the guerilla captain Menahem had marched through Jerusalem heavily armed and “like a king,” in an unsuccessful attempt to become the sole leader of the rebel provisional government.  But Mark uses all of these popular Messianic images precisely in order to subvert them. This is the point of the odd story about “commandeering” a colt, which occupies fully half the parade narrative (11:2-6). Mark is consciously re-organizing the symbolism of this parade around a different Zecharian image which is expressly anti-military.   See also, Bo Sanders, “Palm Sunday Is the Most Political Sunday,” Home-Brewed Christianity, March 25, 2013.  https://homebrewedchristianity.com/2013/03/25/palm-sunday-is-the-most-political-sunday/

[3] Zecharaiah 9:9.  Scholars believe that Matthew read the passage wrong and saw two animals involved in this poetic mythology.  It is believed that Zechariah is, instead, using repetition to talk about one animal, a donkey/colt.

[4] Zechariah 9:9-10a

[5] Cross and Borg, The Last Week.

[6] Marcus Borg and John Dominic Crossan, “Jesus Final Week:  Collision Course,” Christian Century, March 20, 2007, p. 29

Thursday, January 24, 2019

2nd Sunday after Epiphany, January 20, 2019, "God intends joy"


C Epiphany 2 BFC 2019
John 2:1-11
January 20, 2019

John Dominic Crossan, early Christianity scholar, would regularly share this tongue-in-cheek observation about taking the Bible literally.  He would say in his great Irish accent, “We may take Jesus’s healing and miracles literally, but where does that get you?  Jesus did a miracle.  How nice for Jesus! We, in fact, miss the deep and poetic meaning when we take these things literally.”
The Scripture before us today we regularly use for our holy communion liturgy. It begins the public ministry of Jesus in the gospel of John. So, for a storyteller, it is a summary statement, a topic sentence, which expresses who Jesus is and what his ministry and teaching are all about.
Remember that, in the ancient world, there are Divine claims being made right and left. So if the Jewish God's work is being made manifest in this time and place, Jewish peasants living in occupation, persecution, and poverty are not so sure if God is for them or against them. Wouldn't their present situation indicate that God was against them? If God is Almighty and chooses how the world runs, endorses the status quo, wouldn't our present suffering indicate what God intends for us?
What does God intend for us? Marcus Borg, in his book, Meeting Jesus Again for the First Time, believes the author of John seeks to answer that question with the beginning of Jesus' public ministry. And how we interpret Scripture, it matters here. For if this story is taken literally, it is simply a miracle story that has Jesus turning water into wine, then how nice for Jesus. It shows how God can solve all of our most embarrassing conundrums. The wine has run out at the wedding. Pray to Jesus, and God, all-powerful, takes care of it. Is that how faith works?  If we pray hard enough, God eliminates suffering, struggle, and death from our lives?
I believe this Scripture passage, maybe more than any other, is a reminder that much of the Bible is written in poetic language and not intended to be taken literally.  As poet and educator, Dr. Elizabeth Alexander has said, good, poetic language is about words that shimmer and deep meaning.  “We crave truth tellers,” Dr. Alexander says, “We crave real truth. There is so much baloney all the time.” What we hear most of the time is like one of those comedy newscasts where the reporter, as he is reporting, has a ticker running underneath that says, “He’s lying.”[1] Dr. Alexander goes on to say, in one of her poems, “Poetry is the human voice . . . and are we not of interest to each other?”[2]  Good, poetic language is about keeping our eyes on the prize, not losing track of what’s important, when politicians and media moguls use studies and statistics that confuse and hide truth. 

We break the hearts of our children,
The jewels that have been given to us,
When we stunt their teachers,
Forbid them frolic,
And tell them, “Hmmph, you know, your generation.”
When their refracted and reflected light
Off their many facets
Should tell us something
Of the divine
Shining shafts through floor boards and ceiling beams
And we say, “Ah, child, the color is not pure white,”
To beautiful browns and reds, blacks and golds,
All they need us to say is,
“Ah, child, light, warm light.”
Ever refracting and reflecting.

Hear in that poetic language values that will not be obfuscated by statistics and surveys, politics and pandering.  Our children are valuable as they are, in all of their diversity.  Deep meaning is conveyed. 
In contrast to the literal interpretation of Scripture, Marcus Borg believes this is the author of John trying to relate the character of Christ and his ministry. This is poetic language.  Again, although this story is not found in any of the other gospels, the author of John places it at the beginning of Jesus' public ministry.
Image result for Water into wineWhat does God intend and what is it like to live with Christ? Here is the setting: a marriage, a time of celebration for the whole community, where diverse people come from different families to surround what will become a basic unit of community life, a family themselves.
One of the basic symbols of this story is wine. Wine is that mythological symbol that represents joy, frivolity, and play. So Biblically, what does joy mean?  If one would listen to the Japanese organizing expert, Marie Kondo with her on show now on Netflix, “Tidying up with Marie Kondo,” you are to keep only the material possessions that spark joy.   That is where we are.  We are making it a spiritual practice to determine what material possessions spark joy.  Though I know there is wisdom in what Ms. Kondo shares, I’m not sure “joy” is the word I would use for it.
For the Jewish people, wine represented a messianic joy, the understanding that the whole community would share in a liberation and freedom God intends for them.  Throughout Scripture, the Biblical meaning of joy is to be in God’s presence, to know God is at work, that God may intend something different than the status quo.  The moment is made even more poignant when the wine runs out. So is this what God intends? Is that all there is? Is this not a symbol for what the Jewish people are experiencing? God's will for their liberation and freedom runs out.
But with and through Christ, not only is there wine in abundance, the best wine is yet to come and the wine never runs out. So what John is trying to convey is—life with Christ is like a marriage feast where the joy never ends, where God's will for our liberation and our freedom does not run out.
Nowhere in this story is a requirement for such intent. All we have to do is invite God's presence to the feast, make space for God moving among us. God is there to be noticed, for us to be aware of God's presence. All we have to do is lift the veil that has us believing we do not deserve God's will for our joy. Understand, this is a radical statement that says the status quo is not the will of God. God does not will the occupation, persecution, and poverty of the Jewish people. God intends joy.
In the midst of societal suffering and pain, do we believe this is God's intent? And, if not, do we believe it is intrinsic to God's character, to overtake, capture, and wrestle to the floor anything that gets in the way of God's will? What is the nature of God's work? How does God work? In the Gospel of John, a Samaritan woman, excluded from her community, becomes the teller of God's good news to that whole community. A blind man, from his birth, begins to share the good news of God's will for him with all the religious authorities who want to tell the man whose eyes are opened that this cannot possibly be God's work. A person who is crippled to the point where he could not seek his own healing finally experiences the stirring of God's healing power for him. A community, wondering where they will find something to eat, finds that bread shared becomes bread abundant. God intends joy!
The scary part is that they lived in a system invested in these wretched of the earth never believing that they are worthy of joy, joy was never intended for them. Christ changing the water into wine unmasks the foundations of a system and structure that profits from keeping these Jewish peasants in place. No longer will these Jewish peasants believe that God wants them without inclusion in community, without healing when there is no recourse, without bread when there is no resource.
Christ initiates struggle and protest. The world as it is, this is not God's intent. This is not what God wants. If God does not intend, want, or will it, in fact, if it is the opposite of what God intends, wants, or wills, then why should we accept it?
Some time ago I got to see one of my heroes, famed educator, Jonathan Kozol speak.  One of Kozol's most well-known texts is, Ordinary Resurrections, a chronicling of his experience in inner-city public schools where, too often, money and resources are missing and environmental poisoning in communities is rampant. Kozol begins the text by talking about the tough work of desegregating public schools in the 1960s. He speaks of a small, African-American girl who walked courageously to the entrance of her new school, escorted by police officers. White folk ringed the area, shouting insults and racial epithets her way. One woman seemed particularly strident in spewing hatred at the child. Looking to the sky, the little African-American girl smiled. Disarmed and surprised by her smile, the woman addressed the child with the “n” word and asked, “Why are you smiling?” The young girl responded, “Because I see Jesus smiling at me.” The woman was left speechless. God intends joy. It was the message and ministry of Christ, the message and ministry of Dr. King, and the message and reality of a small, African-American girl who knew the will and work of God.
I arrived late to see Jonathan Kozol, and the place was packed. Kozol talked about several children he had written about in his books and related the grave differences between the investments we make in our schools. Public schools, without money and resources, Kozol concluded, put school children in situations where to succeed is the exception and to fail is the rule. We have built a world where we act like God smiles on some of us because of our virtue and does not smile on others because they somehow “deserve” injustice.
The gifts of God are intended for us. Such that we might know God's gifts to us day by day, throughout the year. I believe those gifts are communicated through this community we call Billings First Congregational Church. This community of faith seeks to communicate God's inclusive gift that no matter who you are or where you are on your journey you are welcome here. This community of faith seeks to communicate God's gift of healing love by the way we say that we are invested in joining hands with others to piece together a stronger and more resilient city. This community of faith seeks to communicate God's gift of life-giving bread by the way we call attention to injustice, provide a safe place for recovery, and offer a model of what it looks like when people join hands across ethnicity and culture, gender and sexuality, socioeconomic status and caste.  This community of faith communicates messianic joy for all by the way we encourage embodied spirituality, religious literacy, and public liturgy here and outside our four walls to say there is good in here but there is beauty and good and life outside these four walls. This is Billings First Congregational Church, a gift of God to Yellowstone County and the wider world. We are a gift . . . and if you haven't already received the message by the long Passing of the Peace, the wisdom shared by our children, or the playfulness found in everything we do . . . we intend God's joy to be ever refracting and reflecting.  Praise God. Amen.




[1] “Elizabeth Alexander on Words that Shimmer,” On Being, January 17, 2013, http://www.onbeing.org/program/elizabeth-alexander-words-shimmer/transcript/4993#main_content.
[2] Ibid. 

Friday, April 21, 2017

Sermon for Palm Sunday, April 9, 2017, "Which procession are you in?"

A Palm/Passion BFC 2017
Matthew 21:1-13
April 9, 2017

          Crowds of people descend on Jerusalem.  It is the holy time of Passover, and Jews from all over the known world, are making pilgrimage to the city.  Some, to see the pomp and circumstance associated with the celebration.  Others, come to the city as curious onlookers.  Still others, come as a form of devotion to their God with a recognition that Jerusalem, the “City of Peace”, had a long history within Jewish faith and life. 
          Imagine, from the west of Jerusalem, comes the annual imperial procession, like one that had come from the imperial rulers of Judea and Samaria before and after Rome and Rome’s Pontius Pilate.  These processions took place during the major festivals of the Jewish people, as a way of enforcing the identity of the Jewish people--as conquered and occupied people.  Such imperial displays would have been incredibly important during the festival days of the Jewish Passover, a celebration remembering the Jewish liberation and deliverance from imperial power.  Passover remembers the Jewish people as liberated and delivered by God.  The imperial procession reminded the Jewish they were enslaved and occupied by Rome and its Caesar, the current boot on their neck. 
The Jewish pilgrims flocking into Jerusalem would have known this imperial procession well.  Rome wanted to make sure the Jewish people knew this procession well, expected these processions every Passover. 

Imagine the imperial processions arrival in the city—a visual panoply of imperial power:  calvary on horses, foot soldiers, leather armor, helmets, weapons, banners, golden eagles mounted on poles, sun glinting on metal and gold.  Sounds:  the marching of feet, the creaking of leather, the clinking of bridles, the beating of drums, the swirling of dust.  The eyes of the silent onlookers:  some curious, some awed, some resentful.  Pilate’s procession displayed not only imperial power but also Roman imperial theology.  According to this theology, the Emperor was not only the ruler of Rome but the Son of God.[1]

If you can hold both the throng of Jews in Jerusalem in your imagination and the imperial procession entering in from the west of Jerusalem, the stage is now set for carefully choreographed religio-political street theater about to take place on the other side of Jerusalem intended to critique Roman State power and Messianic triumphalism, rooted in violence, found in a strand of Judaism, within Jesus’s own people.[2]
          Another planned political procession arrives from the east.  We know it is planned because, in the gospel of Matthew, Jesus tells the disciples that there is a donkey and colt in the town ahead of them, and that they are to go and retrieve that donkey and colt.  Whatever your view of prophecy in Scripture, whether Jesus is fulfilling prophecy or a gospel writer is characterizing Jesus’ actions as the fulfillment of Scripture, this processional invokes a Scripture from Hebrew Scripture or the Old Testament.  Either Jesus is attempting to invoke a Scripture known to the Jewish people or the gospel writer is using the passage to define the content of Jesus’ mission and ministry.  For according to the prophet Zechariah, in Hebrew Scripture or the Old Testament, a king would be coming to Jerusalem humble and riding on a colt and the foal of a donkey.[3]
            That Scripture reads as follows:

          Rejoice, greatly, O daughter, Zion!  Shout aloud, O daughter, Jerusalem!  Lo, your king comes to you; triumphant and victorious is he, humble and riding on a donkey, a colt, the foal of a donkey.  That king will cut off the chariot from Ephraim and the war horse from Jerusalem; and the battle bow shall be cut off, and the king shall command peace to the nations.[4]

Notice, first of all, that the title is a political one—king, one who is at the same level as a Roman Caesar.   And this king shall banish war from the earth.  Chariots and war horses shall be no more.  Bows shall be broken.  Peace shall be commanded to all the nations.  This king shall be a king of peace.
          This procession occurring on the east side of Jerusalem is to directly counter what is known to be going on to the west of Jerusalem.  Pilate’s procession incarnated the power, glory, and violence of Empire.  Jesus’ procession incarnated the Empire of a nonviolent God.  This counter, this conflict and clash between two Empires, sets the stage for all of the rest of Holy Week.  Peace by one Empire was achieved through military might, retaliatory, escalating violence, and economic domination.  All the trappings were present in this procession to remind the Jewish people how peace would be kept and pursued—armor, helmets, weapons, war horses.  Peace by the other Empire removed the remnants, the uniforms, the tools, and the mechanisms of war—chariots and war horses removed, battle bows are banished.
          Down through the centuries, that clash of Empires has offered faithful Christians those same distinct choices—two arrivals, two entrances into Jerusalem, two processions.  Biblical scholars Marcus Borg and John Dominic Crossan ask the questions: “Which procession are we in?  Which procession do we want to be in?  This is the question of Palm Sunday, and of the week that is about to unfold.”[5]  Are we still sure we want to walk that hard road Jesus is walking?  Are we still sure we went to be about that kind of faithfulness to the Christian journey—faithfulness to a king who leads with non-violent confrontation?
          Borg and Crossan go on to write, “[O]ur Christian Lent is about repentance for being in the wrong [procession] and preparation to abandon it for its alternative.”[6]  In other words, much as our children have been teaching us every Sunday, Lent is about turning and returning.  Lent is about preparing to abandon Pilate’s procession for the processional of a Mediterranean Jewish peasant from a small town just outside of Sepphoris.  Jesus made space for his ministry and message through creative, confrontational non-violence.  In that process, Jesus helped his followers imagine a God who was not only engaged but courageous and non-violent. 
Jesus had a ministry and message that was about sharing food and freedom, healing and hospitality—a belief that God did not look upon people and see them as Roman subjects but as Children of God.  That is how God always sees us.  No matter how we may see ourselves, God looks and sees us as dear, beloved, and a precious creation.  That title, “Child of God” is not meant to indicate that we remain children.  “Child of God” is a mythological title meaning we are birthed and re-birthed, that we turn and return time and time again to a path.   That blessed path forever communicates God’s deep and passionate love for the world.  That is God’s hope for us, that we live out that mythological title regardless of what the consequences for doing so, no matter what the Empire would do to us.
          Two processions are about to take place in Jerusalem, from opposite sides of the city.  Which one are we in?  Which one do we want to be in?  Repent.  Repent.  Amen.



[1] John Dominic Crossan and Marcus J. Borg, The Last Week:  A Day-by-Day Account of Jesus’s Final Week in Jerusalem (San Francisco:  HarperSanFrancisco, 2006), audiobook.  This book is the basis for today’s sermon.
[2] Ched Myers, “Palm Sunday as Subversive Street Theater:  Sixth Sunday in Lent (Mk. 11:1-11),” Radical Discipleship, March 26, 2015.  https://radicaldiscipleship.net/2015/03/26/palm-sunday-as-subversive-street-theatre-sixth-sunday-in-lent-mk-111-11/. Myers goes on to say that this action by Jesus even repudiates the Messianic triumphalism found within Judaism.  Images from the parade called to mind several biblical precedents: the colt signifying triumphant Judah (Gen 49:11); the return of the Ark to Israel (I Sam 6:7ff); the declaration of Jehu as upstart king (2 Kg 9:13); a royal processional hymn (Ps 118:25f). And the fact that the parade began “near the Mount of Olives” (11:1) would have brought to mind the final apocalyptic battle between Israel and her enemies spoken of by Zechariah (see Zech 14:1-5).  This theater also alludes to more recent events. It recalls the victorious military procession of Simon Maccabaeus, the great guerilla general who liberated Palestine from Hellenistic rule some two centuries before. According to I Maccabbees 13:51 Simon entered Jerusalem “with praise and palm branches…and with hymns and songs.” And there was an incident of Messianic posturing contemporary to Mark as well. Mid-way through the Judean revolt against Rome (66- 70 C.E.), according to the Jewish historian Josephus, the guerilla captain Menahem had marched through Jerusalem heavily armed and “like a king,” in an unsuccessful attempt to become the sole leader of the rebel provisional government.  But Mark uses all of these popular Messianic images precisely in order to subvert them. This is the point of the odd story about “commandeering” a colt, which occupies fully half the parade narrative (11:2-6). Mark is consciously re-organizing the symbolism of this parade around a different Zecharian image which is expressly anti-military.   See also, Bo Sanders, “Palm Sunday Is the Most Political Sunday,” Home-Brewed Christianity, March 25, 2013.  https://homebrewedchristianity.com/2013/03/25/palm-sunday-is-the-most-political-sunday/
[3] Zecharaiah 9:9.  Scholars believe that Matthew read the passage wrong and saw two animals involved in this poetic mythology.  It is believed that Zechariah is, instead, using repetition to talk about one animal, a donkey/colt.
[4] Zechariah 9:9-10a
[5] Cross and Borg, The Last Week.
[6] Marcus Borg and John Dominic Crossan, “Jesus Final Week:  Collision Course,” Christian Century, March 20, 2007, p. 29

Sermon, Year A, Christmas Eve, "Playing our part in the Christmas story resistance"

  A Christmas Eve Col/Paul 2025 Matthew 1-3 December 24, 2025              My Advent spiritual guides this year have been two writer...